Round Up of 2018

Round Up of 2018

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Round Up 2018 Banner Featured Image

So, with the mince pies nearly gone and New Year’s resolutions looming on the horizon, Making Music.com is taking a look back on some of the news and reviews from the last 12 months, for the music tech gear and software that caught our attention. Click on the links to go to the full articles.

punchbox review

January brought us the bass drum synth Punchbox, an all-in-one tool to get you a solid low-end foundation.  Can a plug-in with a single aim really make an impact?

arturia minibrute 2 first look

On the hardware-side, Arturia announced the MiniBrute 2 which included a CV/Gate matrix for all your modular requirements.

Palette Choir

In February, Red Room Audio launched an orchestral sample library and add-on packs, under the banner of Palette, summed up in the review as “…superb and evocative patches which lend themselves to ensemble score creation.”

Mic, iRig, iPhone
Could this be your next studio?

The diminutive iRig PreHD from IK Multimedia made an impression when it came to mobile recording solutions and we said it was “…an affordable solution to getting quality audio into an iOS or Android device while on the move.”

Olafur Arnold Evolutions Featured Image

March saw an addition to Spitfire Audio’s Evo range of evolving sound sets with an endorsement from Olafur Arnalds, with his Chamber collection.

Keys Grand

There was also an outstanding package of keyboard instruments from the relatively unheard of Q Up Arts and their California Keys collection.  Our reviewer was impressed and said the they were “…extremely playable and they sound fantastic.”

Enhancia Neova Featured Image

April brought the Kickstarter launch of a new gesture-based MIDI controller in the shape of the Enhancia Neova ring which was loved by Stevie Wonder at a trade show.  It has since achieved its Kickstarter goal and is going into production.

Stratum Featured Image

As May moved us towards summer, Sonivox announced a new Supersaw and FM synth called Stratum, which combined the buzzy, multi-oscillator Supersaw favoured in some genres of dance music, with the glassy and ethereal world of FM synthesis.

LUSH-101 main screen
D16 group LUSH-101 main screen

And while we’re talking about buzzy synths in dance music, the D16 Group gave us their familiar-looking software Lush-101, where our review deemed it “…incredible…” and “…fantastic value…”

Cello General

July offered more new Solo Strings from the (frankly prolific) Spitfire Audio stable, which updated an earlier sample set, with our reviewer summing up saying “You know a library has got it right when it makes you want to play and compose. And that’s exactly what Solo Strings does.”

UVI Meteor review featured image

August seemed to be the month of off-the-wall-ness with two sound mangling pieces of software.  Firstly, UVI Meteor, helping soundtrack and sound designers to create swells and impacts simply and quickly.

DAW Cassette review featured image

Then, the rather curious DAW Cassette by KLEVGR, which imparts tape-like saturation to your recordings.  But not any old tape saturation…lo-fi compact cassette-type, to really mungle with your fidelity, which our reviewer suggested sounded like recording in a Stasi interrogation room (in a good way!)

Studio Strings Pro Featured Image

As we wandered into Autumn, Spitfire Audio again offered a new collection, but this time they were studio recorded versions.  Gone was the lush sound of AIR Lyndhurst and the Evolution grid and in came the dry and focussed sound of the close-miked, Studio Strings Professional, which we said were “…another superb sound set to add to your compositional arsenal.”

Antelope Edge Family Featured Image

In hardware news, Antelope Audio extended their range of Edge family microphones to include an ingenious, four capsule, multi-pattern model which allowed for all manner of stereo miking techniques.

Akai Fire Featured Image

And for its 20th anniversary, Fruity Loops DAW got its own dedicated, grid-based hardware controller in the shape of the Akai Fire which allowed for four devices to be chained together to make an impressive 8×32 grid to work with.

PolyM Soft

November gave us some more synth action in both software and hardware guises. Firstly, Xils Lab’s PolyM gave us their software re-creation of the Polymoog analogue synthesiser from 1975, which made our reviewer go all misty-eyed, saying “…what hits you the most about the PolyM is the sound which evokes memories of many old electronics recordings.”

UNO On Keys

But, bang up-to-date, we reviewed the IK Multimedia UNO Synth, their first foray into hardware analogue synthesis.  It’s small enough to fit in a rucksack, but has bags of features and sounds and is equally at home on the move or in the studio.

Aston Stealth Featured Image

And so, as December drew in, we got news of a new microphone from Aston Microphones called the Stealth.  A hybrid dynamic mic with four-voicings, an onboard preamp and a genuinely new internal shock system, this looks to be a killer bit of kit for the new year.

We wonder what else 2019 will bring…?

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